“Miss Lucy?” I ask Jackson, who immediately positions himself facing me, claps his hands together, as we intone the first word, drawing it out, “Miss. . . . .”, until we’re ready for the first right-hand-to-right-hand clap. It’s one of the simplest patty-cake games there is – right-to-right, left-to-left, both-to-both, and I’m amazed at how effortlessly the absurd lyrics come back to me as I chant:
Miss Lucy had a steamboat,
The steamboat had a bell.
Miss Lucy went to heaven,
And the steamboat went to –
Give me number nine.
And if you disconnect me,
I will kick you in the –
There was a piece of glass.
Miss Lucy sat upon it,
And she broke her little –
Tell me no more lies.
The boys are in the bathroom,
Pulling down their –
The bees are in the park.
D-A-R-K, D-A-R-K, D-A-R-K, dark, dark, dark.
This activity is something beyond recall or memorization. It is a chant so ingrained in my consciousness that it nearly feels involuntary, like breathing, or pumping blood through my veins. The words, or the narrative they form, telling of childhood naughtiness and “bad words” almost spoken still give me a giggle, and Diego is now old enough to get the double entendres.
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